By Yaming Chi, Boston Chinese Photographers’ Association (BCPA)
“Have you ever seen people in museums looking at a picture like this?” Mary Sherman started her lecture to a group of amateur photographers in BCPA with a question. To make sure everyone followed what her ‘this’ meant, she went up to the blackboard, drew a rectangle, then placed her face less than 3 inches from it and slowly moved her head along the sides. For half a minute or so I heard absolute silence from the audience with, perhaps, few occasional giggles. Yes indeed I have as I recalled, but I had thought the person did so must have had a really bad eyesight – that was many years ago in the Art Institute of Chicago. But no, as she moved away from the board and explained. People were looking for (and look at) what connected different elements in a picture. It more or less could be thought of as the flow, or chi (氣) in Chinese Taoism philosophy, that’d be linked by colors, lines, shapes, textures and values in a pictorial artwork.

Group picture after the lecture (provided by BCPA).
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