Cambridge, Mass., Feb. 4, 2014, — The Harvard Film Archive is pleased to screen the series FORTUNES OF THE WESTERN from FRIDAY FEBRUARY 14 – MONDAY MARCH 22, 2014
Boredom and good fate may have caused travelers to thumb through the December 2013 issue of Magazine, the glossy monthly Air France stuffs in its seatback pouches to hawk duty-free perfume and canned caviar. They might have happened upon an article advertising another French commodity: the classical American Western. A brief interview that well-named Marie Aucouturier led with filmmaker and critic Bertrand Tavernier, frequent and welcome visitor to the Harvard Film Archive, informed readers of his undying love of the genre. So undying that in partnership with Actes Sud, currently France’s keenest publisher of creative and critical writing, he is reissuing a series of western novels of bygone times under the title “L’Ouest, c’est vrai” [“The West, It’s True”]. Inspiring many feature films in the halcyon days of the studio era, sadly, few of the original novels can be found in Harvard’s Widener Library. It can be wagered that despite their elegant design and crisp translation these new editions will never make their way to our shores. Whether they do or not is less significant than what Tavernier’s project makes clear: that much of the American Western owes the recovery of its genius to what Gallic cinephiles have done with it.

Poster from 1948 movie Red River.
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